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the built-in EQs, compressors, tape saturation, and final limiter…. So tell us what does make working with Mixbus different sonically? I spoke to Harrison about some of the details of what’s on offer here.ĬDM: Can you describe what’s built into Mixbus’ console from a processing standpoint? What makes this console special? A lot is made of “summing,” but that’s – unless I’m missing something you’re doing – typically the least interesting part of DSP design in a mixer. Version 1.5 also introduces some new features alongside the Linux release, including a key-mappable “play with pre-roll” Transport command and playhead edit range Transport snapping (huge time-savers), thinning for dynamic automation, and a Gain tool you can use to adjust curves in a region. Harrison took what they knew about making big consoles like this, and applied it to software. On Linux, it could be the release that finally makes a Linux-based studio practical. On the Mac, it’s a no-brainer purchase that makes a fantastic tool in your arsenal for finishing music.

Harrison mixbus tutorial Patch#

On Linux (and on the Mac), you can use JACK to route in everything from a Pure Data patch to a recording for conventional mixing. On the Mac, support for AU means your plug-ins come with you from another DAW when you want to finish your music. In short, it’s a brilliant tool for plug-in hosting, thanks to all the routing options, and for finally finishing tracks, thanks to mix- and master-friendly features. (As with any multitrack system, just make sure you have a capable hard disk that’s what I find to be the most significant bottleneck.) Metering with peak, peak hold, compressor gain reduction on each track and bus – again, bringing mastering and mixing into a nice interface.Īll of this operates in an extremely lightweight system that runs comfortably on a fairly low-end laptop, without having to sacrifice audio fidelity.Plugin delay compensation for features like parallel compression.Tone controls, compression, sidechaining, and tape saturation on the mix buses (hence the name), and on the stereo master bus, too – meaning this works nicely for mastering.4 mix bus sends on every channel, and channel strips that each feature filter, EQ, and compression.EQ, filter, compression, analog tape saturation, and Harrison’s summing model.Mixbus is simply a joy to use, because it consolidates the user interface into an efficient, productive console, and has some terrific effects to boost.

Harrison mixbus tutorial free#

Ardour takes some time to learn – the interface is spartan, to be sure – but because it’s a free project, it refreshingly focuses on the basics rather than the feature creep that has tended to make the major commercial, proprietary DAWs a bit complex.

Harrison mixbus tutorial software#

Aside from benefiting from a mature, open source codebase, the fact that Ardour is free software means you can exchange multitrack projects with friends, even if they don’t own Mixbus or do their work in a different DAW. Working with an open source DAW, Ardour, has some practical benefits for users. Harrison recommends an audio-based distribution, but two of them – Ubuntu Studio and (Fedora-based) CCRMA – make their packages available in standard Ubuntu and custom Fedora repositories, respectively, which means just about any recent, major distribution will work.

Harrison mixbus tutorial plus#

On the Mac, you get support for Audio Unit plug-ins and any Core Audio interface, plus the superb Mac port of JACK.Īnd now, in addition to Mac support, you can run the package on Linux, benefiting from native Linux technologies like JACK and LADSPA and (now) LV2 plug-ins. You get the whole package: an entire DAW, plus a software version of Harrison’s 32-series and MR-series consoles, with powerful DSP and mixing features baked in. Instead, Mixbus sells for an intro price for US$79.99. And it absolutely, positively shouldn’t run on Linux, because everyone knows you can’t sell a product for Linux. The product should run on some proprietary DAW, and should definitely come with a hardware dongle.

Its analog tape saturation, EQ, filter, compression, and mixing should be sold a la carte for a few hundred bucks each, given the usual business model in this industry. Mixbus, their software product, is something of an anomaly.

Harrison is a company with a rich legacy in high-end consoles.